Due to circumstances I wil not be online as often as you, my friends and readers are used to. For the next month or so my only access to the net will be a 3G modem with a data limit of 4Gb/month (unless I want to pay through the nose for extra volume). Compared to my usual 25 to 30 Gb a month you can imagine it will hurt.
This also means that any SL activity will probably be almost non-existant and because of it I guess my Flickr stream will come to a trickle at best for a while. On the positive side of things, it may give me a bit more time to post here.
All of this is because it takes Telenet, a local cable provider, a MONTH to reactivate an existing connection that was deactivated. To add insult to injury, the place already has cable television and a telephone connection via cable from Telenet. Why does it take so long ? They claim they have to physically be on the spot to reactivate internet access. To do what, turn the modem back on ? I can do that for them thank you very much. If they said two days to sort out the billing and add the modem to DHCP I'd think it was slow but acceptable, but a MONTH ?? I guess it's about time they got some competition ...
Oh well, it's only a month but I can't say I'm looking forward to it ...
Saturday, 7 February 2009
Sunday, 1 February 2009
Rancor @ uqbar. media art culture ARENA
Cienega Soon is showing some of her fantastic artwork at the uqbar media art culture arena. I went to have a look there yesterday when the exhibit opened and was blown away not just by the gorgeous pictures but by the way they were presented. An awful lot of work must have gone into these displays.

Now beauty is one thing but art is about so much more and I must say that especially "Rancor" really touched me. This is art that speaks and grabs you by the short and curlies, an aspect so often overshadowed by the quest for aesthetics in SL Art.

From what I can see the exhibit is only open until tomorrow so get your asses over there before it is too late !!

Announcement on her Flickr stream
Go there straight from here

Now beauty is one thing but art is about so much more and I must say that especially "Rancor" really touched me. This is art that speaks and grabs you by the short and curlies, an aspect so often overshadowed by the quest for aesthetics in SL Art.

From what I can see the exhibit is only open until tomorrow so get your asses over there before it is too late !!

Announcement on her Flickr stream
Go there straight from here
Labels:
Cienega Soon,
exhibits,
Second life,
SL,
SL Art
Thursday, 1 January 2009
Happy New Year
Let me start by wishing you all a fantastic 2009. I hope you all manage to make some long fostered dreams and wishes come true in the year ahead.
Just before 2008 drew to an end I got a very nice prezzie in the mail. The catalogue of the Firenze exhibit arrived.

It turned out to be an impressive 300+ pages of very nicely printed SL images and I have to commend the organisers for keeping their promise to send it to all participating artists for just the shipping cost.

Guess I could bitch about the fact they managed to attribute the only one of my pictures that made it into the book to someone else but hey, I can live with the nice pic that was wrongly attributed to me ;-)
As for New Year's resolutions; I promise I will shut up about Firenze on this blog from now on and start doing a bit more writing about other aspects of SL again. Promised !
Labels:
New Year,
Rinascimento Virtuale,
Second life,
SL,
SLArt
Tuesday, 11 November 2008
More SL Art in RL
My friend Ariel Brearly was asked to submit Little Red one of her pictures for "Synthetic Masquerade" a RL Art exhibit taking place at SomeArts gallery in San Francisco's Bay Area opening on November 6th and running till November 26th. She also pointed me to a youtube video about the exposition.
I have to say I liked what I saw. It seems to be a nice mix of pure SL Art, and virtual wold derived or inspired art with a focus on the avatar as a representation of ourselves. The RL exhibit is mirrored inworld giving you a chance to visit it too and that's a very nice touch.
At the inworld exhibit I found a notecard with this statement from Capn Kurka, the curator for this exhibit:
As technology becomes more prevalent in our everyday lives, much of its impact on how it affects us psychologically goes mostly unnoticed. One of the few ways technology allows us to mold how we perceive ourselves (and how we want to be perceived) is expressed through the creation of an avatar for either a game, virtual world or website chat.
Current studies show that by the year 2010, seven out of ten people worldwide will have control of an avatar.
The works included in this exhibit will show the public many different ways artists perceive an avatar and no doubt many of the works will be a creative reflection of deep personal desires and fears along with concepts of beauty and ugliness.
The word “Avatar” originally came to mean "an embodiment, a bodily manifestation of the Divine. Since 1985, it has come to mean “a computer representation of a user.” Since the 1992 novel SnowCrash, the term Avatar was used to describe the virtual simulation of the human form in the Metaverse, a virtual-reality version of the Internet.
Some avatars are animated, consisting of a sequence of multiple images played repeatedly. Other avatar systems exist where a pixelized representation of a person or creature is used, which can then be customized to the user's wishes. Flat GIF based avatars are readily found in most chat room based websites.

Do visit whether it be in SL or RL, it is sure worth a look!
Slurl: http://slurl.com/secondlife/Jamville/170/119/23 (and teleport to the main gallery)
I have to say I liked what I saw. It seems to be a nice mix of pure SL Art, and virtual wold derived or inspired art with a focus on the avatar as a representation of ourselves. The RL exhibit is mirrored inworld giving you a chance to visit it too and that's a very nice touch.
At the inworld exhibit I found a notecard with this statement from Capn Kurka, the curator for this exhibit:
As technology becomes more prevalent in our everyday lives, much of its impact on how it affects us psychologically goes mostly unnoticed. One of the few ways technology allows us to mold how we perceive ourselves (and how we want to be perceived) is expressed through the creation of an avatar for either a game, virtual world or website chat.
Current studies show that by the year 2010, seven out of ten people worldwide will have control of an avatar.
The works included in this exhibit will show the public many different ways artists perceive an avatar and no doubt many of the works will be a creative reflection of deep personal desires and fears along with concepts of beauty and ugliness.
The word “Avatar” originally came to mean "an embodiment, a bodily manifestation of the Divine. Since 1985, it has come to mean “a computer representation of a user.” Since the 1992 novel SnowCrash, the term Avatar was used to describe the virtual simulation of the human form in the Metaverse, a virtual-reality version of the Internet.
Some avatars are animated, consisting of a sequence of multiple images played repeatedly. Other avatar systems exist where a pixelized representation of a person or creature is used, which can then be customized to the user's wishes. Flat GIF based avatars are readily found in most chat room based websites.

Do visit whether it be in SL or RL, it is sure worth a look!
Slurl: http://slurl.com/secondlife/
Saturday, 8 November 2008
Firenze, the aftermath
Earlier this week Frank Koolhaas, curator of the Rinascimento Virtuale exhibit in Firenze, organized an in-world meeting to talk about the catalogue, answer some questions and catch some impressions. I will not detail all that was said since it ended up a fairly long meeting but let me try to summerize what was said.
First Frank briefly introduced the whole project (quotes are edited for clarity):
Frank Koolhaas: this is a project to read on different levels. The first level is the exhibit at the museum. The natural history museum of Florence is one of the most important in Europe, and the building where the exhibit is hosted is the section of anthropology. The reason why we chose this location is the following: first of all giving a strong legitimization to SL art, hosting it in a great museum and then creating a relation between anthropology and this new kind of art. it's not just the art of a social network but an art conceived as a social network and that's completely new. It was made in Florence, the cradle of the first Renaissance. This way, we could suggest that these people, these artists, are the interpreters of a new Renaissance.
Then we have another level: the catalogue. It's glamorous, filled with art, conceived like a work of art by Cristian Contini (Grocon Emoto) It's also a document about SL art, a way to show all these great artworks to the ones who don't come in RL.
There are images but also texts. The texts...a crucial point because there is something to say. I firmly believe that here in SL there are many talented people, some very creative people. And doesn't matter if they began to be artists yesterday.
He then gave the word to Asian Lednev who actually did the design of the exhibit. He put firm emphasis on what a unique chance it was to use the antropology section of the museum of natural history because of the juxtaposition of the old culture and this new digital one. The crowd didn't dispute this but critical questions were raised as to how the SL work was actually displayed in the museum. Some were very adamant it was even degrading how some pieces had been treated.
The discussion went on with Bettina Tizzy making a few points and asking a few very pertinent questions.
Bettina Tizzy: I want to preface by saying that I appreciate all your hard work, Frank, and the work of all the others who were involved in creating all manifestations of this exhibit. My concerns are as follows:
1) For the opening night, many SLers traveled hundred if not many thousands of miles to be there. They were
a) Not informed that there would be a catalog nor that it was not ready
b) Not informed of peripheral events such as the booth that appears in your flickr stream
c) In fact, they weren't informed of anything other than a very very cordial greeting by Frank, and that was nice
What they did find, is the larger blown up pics on the floor ... leaning against the installations. There were some thumbnails, but no explanation that these thumbnails were identifiers for the images portrayed in the videos.
I appreciate the concept of SL art being exhibited in an anthropology museum. That is a good concept. However, the implementation was was [so] poor, that it shamed me. I do understand that later, over the course of a few days, the larger images were raised and placed above the showcases. I have worked with many museums in my life and I realize how VERY VERY hard it is to work with them. However, I think that the association of anthropology and SL art could have been realized by working with the museum in another space, but under the "auspices" of the museum. Since you were obligated to work within the confines of what was already there. As I was saying to you in conversation earlier, Frank... I think that part of the problem here is that you did not convey some of these important things to those who had spent a small fortune to be there and placed their trust in you. Communication is a good thing.
Bettina went on to state that her main fear is that SL Art would become trivialised and that was the reason for her concern with the images she saw from Firenze.
The meeting went on for a good while longer but I think the main points had been made by that time. One thing noteworthy is that Bettina revealed they are working with some of the top publications in the world, even though she couldn't reveal details yet. She sure got me curious :-)
Personally I think the concept of a recognised cultural institute especially an ethnographic museum hosting digital art is a great one. It looked to me however the practical limitation of the place made it really difficult to truly integrate the SL artworks resulting in work standing on the ground or on top of high display cabinets. The SL works were added instead of integrated and that is a nice opportunity lost in my view. I think this was also the reason why so few works were actually shown in printed form. Asian argued it was a matter of poor resolution of the pics but I'm afraid to say that doesn't hold water knowing the kinds of sizes most people sent their pics in.
I think another reason why people felt let down was the fact so many pics were invited for the exhibit. Asian mentioned about 150 different artists. Seeing I was asked to send in a selection of 22 pics (and from what I heard from others some had a lot more). That would make at least individual 3300 pictures and most likely a whole lot more. How can you expect to show such an amount of work ? Maybe a more discriminating approach would have been favorable or at least would have left fewer people somewhat frustrated.
As Bettina pointed out the communication wasn't really clear either. I assume some of that has to do with the language barrier. I've seen a lot of blogs and online articles in Italian leading up to the event but very little in English. Because of that I think the perception of the whole event may have been a fair bit different in the Italian community as compared to the rest of the world.
One last thing: I still feel proud to be part of it even if in a very small way. Unlike some others at last week's meeting I am not going to scream blue murder over the way my work was treated. I still don't consider what I do Art with a capital A. Time and the RL art critics will tell what future SL Art has. In that respect this exhibit was a first and something has been set in motion even if it wasn't perfect or what we had dreamed of. I certainly don't regret travelling there if only for the wonderful people I met. Thank you Frank / Mario for inviting me.
About the exhibit:
- it is still open until January 7th, 2009
- it consists of (according to Asian Lednev)* :
- It's been said that the catalog will be available to all participanting artists at shipping cost
- Regular sale price will be around 30 €.
- it is not sure when it will be available as it is still being printed.
- thumbing through the whole in-world version of the catalogue at the meeting place I was a little disappointed to find just a single one of the pics I submitted.
* I can't say these numbers correspond to what I remember seeing while I was there for the opening evening
First Frank briefly introduced the whole project (quotes are edited for clarity):
Frank Koolhaas: this is a project to read on different levels. The first level is the exhibit at the museum. The natural history museum of Florence is one of the most important in Europe, and the building where the exhibit is hosted is the section of anthropology. The reason why we chose this location is the following: first of all giving a strong legitimization to SL art, hosting it in a great museum and then creating a relation between anthropology and this new kind of art. it's not just the art of a social network but an art conceived as a social network and that's completely new. It was made in Florence, the cradle of the first Renaissance. This way, we could suggest that these people, these artists, are the interpreters of a new Renaissance.
Then we have another level: the catalogue. It's glamorous, filled with art, conceived like a work of art by Cristian Contini (Grocon Emoto) It's also a document about SL art, a way to show all these great artworks to the ones who don't come in RL.
There are images but also texts. The texts...a crucial point because there is something to say. I firmly believe that here in SL there are many talented people, some very creative people. And doesn't matter if they began to be artists yesterday.
He then gave the word to Asian Lednev who actually did the design of the exhibit. He put firm emphasis on what a unique chance it was to use the antropology section of the museum of natural history because of the juxtaposition of the old culture and this new digital one. The crowd didn't dispute this but critical questions were raised as to how the SL work was actually displayed in the museum. Some were very adamant it was even degrading how some pieces had been treated.
The discussion went on with Bettina Tizzy making a few points and asking a few very pertinent questions.
Bettina Tizzy: I want to preface by saying that I appreciate all your hard work, Frank, and the work of all the others who were involved in creating all manifestations of this exhibit. My concerns are as follows:
1) For the opening night, many SLers traveled hundred if not many thousands of miles to be there. They were
a) Not informed that there would be a catalog nor that it was not ready
b) Not informed of peripheral events such as the booth that appears in your flickr stream
c) In fact, they weren't informed of anything other than a very very cordial greeting by Frank, and that was nice
What they did find, is the larger blown up pics on the floor ... leaning against the installations. There were some thumbnails, but no explanation that these thumbnails were identifiers for the images portrayed in the videos.
I appreciate the concept of SL art being exhibited in an anthropology museum. That is a good concept. However, the implementation was was [so] poor, that it shamed me. I do understand that later, over the course of a few days, the larger images were raised and placed above the showcases. I have worked with many museums in my life and I realize how VERY VERY hard it is to work with them. However, I think that the association of anthropology and SL art could have been realized by working with the museum in another space, but under the "auspices" of the museum. Since you were obligated to work within the confines of what was already there. As I was saying to you in conversation earlier, Frank... I think that part of the problem here is that you did not convey some of these important things to those who had spent a small fortune to be there and placed their trust in you. Communication is a good thing.
Bettina went on to state that her main fear is that SL Art would become trivialised and that was the reason for her concern with the images she saw from Firenze.
The meeting went on for a good while longer but I think the main points had been made by that time. One thing noteworthy is that Bettina revealed they are working with some of the top publications in the world, even though she couldn't reveal details yet. She sure got me curious :-)
Personally I think the concept of a recognised cultural institute especially an ethnographic museum hosting digital art is a great one. It looked to me however the practical limitation of the place made it really difficult to truly integrate the SL artworks resulting in work standing on the ground or on top of high display cabinets. The SL works were added instead of integrated and that is a nice opportunity lost in my view. I think this was also the reason why so few works were actually shown in printed form. Asian argued it was a matter of poor resolution of the pics but I'm afraid to say that doesn't hold water knowing the kinds of sizes most people sent their pics in.
I think another reason why people felt let down was the fact so many pics were invited for the exhibit. Asian mentioned about 150 different artists. Seeing I was asked to send in a selection of 22 pics (and from what I heard from others some had a lot more). That would make at least individual 3300 pictures and most likely a whole lot more. How can you expect to show such an amount of work ? Maybe a more discriminating approach would have been favorable or at least would have left fewer people somewhat frustrated.
As Bettina pointed out the communication wasn't really clear either. I assume some of that has to do with the language barrier. I've seen a lot of blogs and online articles in Italian leading up to the event but very little in English. Because of that I think the perception of the whole event may have been a fair bit different in the Italian community as compared to the rest of the world.
One last thing: I still feel proud to be part of it even if in a very small way. Unlike some others at last week's meeting I am not going to scream blue murder over the way my work was treated. I still don't consider what I do Art with a capital A. Time and the RL art critics will tell what future SL Art has. In that respect this exhibit was a first and something has been set in motion even if it wasn't perfect or what we had dreamed of. I certainly don't regret travelling there if only for the wonderful people I met. Thank you Frank / Mario for inviting me.
About the exhibit:
- it is still open until January 7th, 2009
- it consists of (according to Asian Lednev)* :
- 150 artists
- 46 printed works
- 13 plasma screens
- 30 electronic picture frames
- 46 printed curtains
- It's been said that the catalog will be available to all participanting artists at shipping cost
- Regular sale price will be around 30 €.
- it is not sure when it will be available as it is still being printed.
- thumbing through the whole in-world version of the catalogue at the meeting place I was a little disappointed to find just a single one of the pics I submitted.
* I can't say these numbers correspond to what I remember seeing while I was there for the opening evening
Labels:
Firenze,
Rinascimento Virtuale,
Second life,
SL,
SL Art
Sunday, 26 October 2008
Fun in Firenze
So Mylena and I are back, back from our trip to Firenze that has left us with some absolutely unforgettable memories. We arrived in Italy on Sunday evening after spending two days in a lovely hotel in the Vercors region in France. There we had a lovely 10 course "menu de degustation" accompanied by a wine tasting on Friday evening. Saturday we spent an afternoon picking mushrooms under the watchful eye of a local guide and mushroom expert. We ate what we picked that evening and it sure was yummy. We had a good giggle with one of the other hotel guests who looked like she was an avatar that somehow escaped SL. All through dinner she wore a white woollen hat, fingerless gloves, a leather jacket with metal studs and big ass boots that looked like they were made from an awful lot of prims.
Arriving in Firenze was a bit of a shock. We made a little tour around the old center on Sunday evening and found it to be absolutely overrun by tourists and all in all really dirty. It must have been a Sunday thing however because when we walked the old narrow streets from piazza to piazza on Monday things had been thoroughly cleaned up. Being very curious we also walked past the Museum of Natural History where the exhibit would take place joking it would be too funny if it all turned out to be an elaborate hoax. But sure enough the big Rinascimento Virtuale poster adorned the facade of the building.
Tuesday we spent on touristy stuff. Walking around, visiting the sites but all the while at least my thoughts were with what would happen that evening. A little after six we were at the museum. At first I heard nothing but Italian around me in the crowd that had gathered in the courtyard of the building for the opening speech. I was disappointed not to see any familiar faces. I was starting to fear no one would show up. Then all of a sudden I heard this guy being interviewed by some reporter spell out his SL name An-dro-me-ga Vo-la-re ... Yay, found one ! While saying hi to Andro I heard "Hey Loki !!". Turned out to be Track Hax who was talking to no one other than Nyla Rossini and her husband. We went on to have a look at the exhibit and there they were; Silver, Keiko, Luther, Pilgrim, Raul, Khamudy and Angie. It was really like meeting up with old friends and meeting a few new ones.
I'll be short on the exhibit itself. Let's say it was a nice try but there was not that much SL-Art on display and clearly set up not too interfere too much with the normal collection of the museum resulting in pics being on the floor leaning against display cabinets or pics being almost two meters up on top of cabinets. A setup made of a number of those picture display frames was a nice idea but most of them stayed dark or displayed the setup menu. In the end everyone gathered around one big size monitor displaying an endless stream of pics while once in a while someone would go "hey that's yours!" or "Yay, one of mine". There were a few viewing booths set up to show some machinima. All in all a bit of a disappointment but the company largely made up for it. I'll probably write about the exhibit itself in a later blog.
After we'd seen what was there we decided to go for drinks but first went to pick up Hio at his hotel. Contrary to popular belief he is not actually green in RL but apart from that Hio is Hio. We ended up at an Irish pub on piazza della Signoria chatting, laughing, teasing, gossiping and generally having a great time. If someone listened in on the conversation they must have thought we were completely nuts with all the "woot" "lol" and "Yay" going on. We ended a really great evening having a late dinner at a nice restaurant barely big enough to seat all thirteen of us. You should have seen the waiter's face when Keiko wanted ketchup to put on her fettuccini bolognese ... priceless !
Wednesday was a day of more sightseeing and touristy stuff which I won't bother you with. On Thursday we met up with Silver, Keiko, Luther, Pil & Kham again and strolled through Firenze, had a very good late lunch on one of the countless terraces and did some shopping. Sometimes RL can be so like SL only the food and wine are better in RL, in Italy anyway. More great food that evening when Luther prepared us some delicious pasta dishes at the apartment where they were staying. I picked up a few bottles of wine and a bottle of limoncello and we spent the evening chatting about everything and anything sitting outside on the apartment's little roof terrace around a couple of candles. A wonderful ending to an exciting few days.
It was really funny to see how we all got along so well and without any awkwardness about actually meeting for the first time in RL. I guess you can role play as much as you want but in the end the real person behind the av always shows through so in a way you really know the people even if you have never met them. It really makes me want to meet so many others I met in my time in SL because how ever much fun SL can be, nothing beats sharing a meal with real people.
I thank my lucky stars I got to meet all these lovely people.
Track, it was good to see you there. You should have tagged along on Tuesday.
Andro, it was really nice meeting you and it's a pity you couldn't stay longer.
Nyla, I still hear your wonderful laughter. It was great to meet you and your husband.
Angie, I love the pictures you took with my camera. I'm sure we'll see more of each other in world after this week.
Pil, Don't think we've seen each other in world all that much so far. So great to get to know you a bit better. Hope things went well in Portugal.
Raul, I can see why Gany loves you to bits. It was my privilege to meet a great guy like you.
Kham, what can I say apart from "I love your mind" héhé. Great meeting you too.
Luther, man that pasta was great! Hope to see more of you in world.
Hio, pity we didn't get to talk a bit more, still, it was really great to meet you!
Keiko, you sweet thing, it may sound a bit odd but I love you to bits.
Silver, meeting in person after all this time was wonderful. I sure hope it was a first and not a last. See you in world soon!
Mylena, thanks from the bottom of my heart for a wonderful trip.
Now let's all think long and hard for the next excuse to all meet again ;-)
Arriving in Firenze was a bit of a shock. We made a little tour around the old center on Sunday evening and found it to be absolutely overrun by tourists and all in all really dirty. It must have been a Sunday thing however because when we walked the old narrow streets from piazza to piazza on Monday things had been thoroughly cleaned up. Being very curious we also walked past the Museum of Natural History where the exhibit would take place joking it would be too funny if it all turned out to be an elaborate hoax. But sure enough the big Rinascimento Virtuale poster adorned the facade of the building.
Tuesday we spent on touristy stuff. Walking around, visiting the sites but all the while at least my thoughts were with what would happen that evening. A little after six we were at the museum. At first I heard nothing but Italian around me in the crowd that had gathered in the courtyard of the building for the opening speech. I was disappointed not to see any familiar faces. I was starting to fear no one would show up. Then all of a sudden I heard this guy being interviewed by some reporter spell out his SL name An-dro-me-ga Vo-la-re ... Yay, found one ! While saying hi to Andro I heard "Hey Loki !!". Turned out to be Track Hax who was talking to no one other than Nyla Rossini and her husband. We went on to have a look at the exhibit and there they were; Silver, Keiko, Luther, Pilgrim, Raul, Khamudy and Angie. It was really like meeting up with old friends and meeting a few new ones.
I'll be short on the exhibit itself. Let's say it was a nice try but there was not that much SL-Art on display and clearly set up not too interfere too much with the normal collection of the museum resulting in pics being on the floor leaning against display cabinets or pics being almost two meters up on top of cabinets. A setup made of a number of those picture display frames was a nice idea but most of them stayed dark or displayed the setup menu. In the end everyone gathered around one big size monitor displaying an endless stream of pics while once in a while someone would go "hey that's yours!" or "Yay, one of mine". There were a few viewing booths set up to show some machinima. All in all a bit of a disappointment but the company largely made up for it. I'll probably write about the exhibit itself in a later blog.
After we'd seen what was there we decided to go for drinks but first went to pick up Hio at his hotel. Contrary to popular belief he is not actually green in RL but apart from that Hio is Hio. We ended up at an Irish pub on piazza della Signoria chatting, laughing, teasing, gossiping and generally having a great time. If someone listened in on the conversation they must have thought we were completely nuts with all the "woot" "lol" and "Yay" going on. We ended a really great evening having a late dinner at a nice restaurant barely big enough to seat all thirteen of us. You should have seen the waiter's face when Keiko wanted ketchup to put on her fettuccini bolognese ... priceless !
Wednesday was a day of more sightseeing and touristy stuff which I won't bother you with. On Thursday we met up with Silver, Keiko, Luther, Pil & Kham again and strolled through Firenze, had a very good late lunch on one of the countless terraces and did some shopping. Sometimes RL can be so like SL only the food and wine are better in RL, in Italy anyway. More great food that evening when Luther prepared us some delicious pasta dishes at the apartment where they were staying. I picked up a few bottles of wine and a bottle of limoncello and we spent the evening chatting about everything and anything sitting outside on the apartment's little roof terrace around a couple of candles. A wonderful ending to an exciting few days.
It was really funny to see how we all got along so well and without any awkwardness about actually meeting for the first time in RL. I guess you can role play as much as you want but in the end the real person behind the av always shows through so in a way you really know the people even if you have never met them. It really makes me want to meet so many others I met in my time in SL because how ever much fun SL can be, nothing beats sharing a meal with real people.
I thank my lucky stars I got to meet all these lovely people.
Track, it was good to see you there. You should have tagged along on Tuesday.
Andro, it was really nice meeting you and it's a pity you couldn't stay longer.
Nyla, I still hear your wonderful laughter. It was great to meet you and your husband.
Angie, I love the pictures you took with my camera. I'm sure we'll see more of each other in world after this week.
Pil, Don't think we've seen each other in world all that much so far. So great to get to know you a bit better. Hope things went well in Portugal.
Raul, I can see why Gany loves you to bits. It was my privilege to meet a great guy like you.
Kham, what can I say apart from "I love your mind" héhé. Great meeting you too.
Luther, man that pasta was great! Hope to see more of you in world.
Hio, pity we didn't get to talk a bit more, still, it was really great to meet you!
Keiko, you sweet thing, it may sound a bit odd but I love you to bits.
Silver, meeting in person after all this time was wonderful. I sure hope it was a first and not a last. See you in world soon!
Mylena, thanks from the bottom of my heart for a wonderful trip.
Now let's all think long and hard for the next excuse to all meet again ;-)
Labels:
Rinascimento Virtuale,
RL,
Second life,
SL,
SL Art
Tuesday, 14 October 2008
Firenze here we come !
The countdown has begun. Three more days and Mylena and I will be on our way to Italy. I wrote about "Rinascimento Virtuale", the exhibit of SL art in Firenze, in an earlier post. It opens on the 21st of this month. Well, the route is planned, the hotels are booked and we'll be arriving in Firenze on Sunday. I hope to attend the vernissage on Tuesday but I'm still waiting for confirmation. I sure hope to meet the organisers and Frank Koolhaas in particular. It sure looks like they have been doing a great job. I promise I'll write more about it when I'm back.

There is of course also another dimension. This exhibit is the perfect occasion to meet a few people I have known for a good long while but never met RL. I'm putting it mildly when I say I'm really excited about that. I don't know how many will be there but I hope there will be plenty. It would be so much fun if we could all get together and tell SL stories, whine about flickr drama, exchange tips and tricks and all of that without even touching a keyboard. What a novel idea! Anyway, if you read this and are going there too please leave a comment or let me know. I would hate to miss the opportunity to meet you too ;-)
There is of course also another dimension. This exhibit is the perfect occasion to meet a few people I have known for a good long while but never met RL. I'm putting it mildly when I say I'm really excited about that. I don't know how many will be there but I hope there will be plenty. It would be so much fun if we could all get together and tell SL stories, whine about flickr drama, exchange tips and tricks and all of that without even touching a keyboard. What a novel idea! Anyway, if you read this and are going there too please leave a comment or let me know. I would hate to miss the opportunity to meet you too ;-)
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